2018 Gravitational Currents & the Life Magic, Empty Gallery, Hong Kong, China
2016 In Search for Radical Incomplete #3 Black Hole Hunters (Two Person Show with A. Navratil), Curated By Övul O. Durmuşoğlu, Kunstverein Lagenhagen, Lagenhagen, Germany
2015 Space Elevator: Streetbodies and Donkeydreams, The Cologne Room, Los Angeles, USA
2017 Otium - Corruption and the Dash, Palazzo Marigliano, Naples, Italy
2017 Tidalectics, Tba 21, Vienna, Austria
2017 Myths of the Marble, Henie Onstad Kunstsenter, Høvikodden, Norway; Co-2017 Organized With and Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
2017 An Inventory of Shimmers: Objects of Intimacy of Contemporary Art, mit List Visual Arts Center, Cambridge, Massachusetts
2017 Conditions of Political Choreography, NBK, Berlin, Germany
2016 A Momentary Lapse of Reason, Public Access, Chicago, USA
2016 The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
2016 Resonance/Dissonace, Patricia & Phillip Frost Art Museum, Miami, USA
2016 Conditions of Political Choreography, CCA, Tel Aviv, Israel
2016 On Loan, Inca, Seattle, USA
2016 Future Queer, Istanbul, Turkey
2015 Corruption: Everybody Knows…, E-Flux, New York, USA
2015 J’adore, Kunsthalle Lingen, Lingen, Germany
2015 Twenty Two, Tempo Rubato, Tel Aviv, Israel
2015 In Search of Radical Incomplete, a Perfect Animal Within, Stacion – Center for Contemporary Art Prishtina, Prishtine, Republic of Kosova
2015 The Lulennial: A Slight Gestuary, Lulu, Mexico City, Mexico
2014 The White Elephant, After the Butcher, Berlin, Germany
2014 Nature After Nature, Fridericianum, Kassel, Germany
2014 The Radical Incomplete, Young Artists Association of Budapest, Budapest, Hungary
2014 Shirts Vs. Skins, New Galerie, New York, USA
2013 Girls Can Tell, GAK, Bremen, Germany
2013 Nur Hier - Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland Ankäufe Von 2007 Bis 2011, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
2013 The Lighthouse, Artsouth Collaborations, Hampshire, UK
2013 Querung des Gleichers, Künstlerhaus Hamburg, Germany
2013 Don't Stop the Dance, Tempo Rubato, Tel Aviv, Israel
2013 Vielleicht sehe ich auch zu tief in die Dinge hinein, Overbeck Gesellschaft, Lübeck, Germany
2012 A Disagreeable Object, Sculpture Center, New York, USA
2012 Über Dich, Galerie Kamm, Berlin, Germany
2012 I am Another, Kunstverein Freiburg, Freiburg, Germany
2012 Made in Germany Zwei. Internationale Kunst in Deutschland, Sprengel Museum 2012 Hannover, Kestnergesellschaft, Kunstverein Hannover, Hannover, Germany
2012 En Todo Y En Todas Partes, Kurimanzutto, Mexico City, Mexico
2012 Behind the Light, Galeria Pedro Cera, Lisbon, Portugal
2011 Coming After, the Power Plant Contemporary Art Gallery, -12 Toronto, Canada
2011 The Promise, curated by Martha Kirszenbaum, Galerie Crèvecoeur, Paris, France
2011 Abstraction Sentimentales Et Quelques Editions, CEC, Paris, France
2011 Video Show, Gaga Arte Contemporáneo, Mexico City, Mexico
2011 Anfang gut. Alles gut. Actualizations of the Futurist Opera Victory Over the Sun (1913), Kunsthaus Bregenz, Bregenz - Initiated By Eva Birkenstock, Nina Köller and Kerstin Stakemeier
2011 The Genesis at S&Ym, S&Ym - Springsteen & Your Mama, Berlin, Germany
2010 Real Presences: Marcel Broodthaers Today, Kunsthalle Düsseldorf; Kunstverein für die Rheinlande und Westfallen, Germany
2010 Milk Drop Coronet: 30 Ausstellungen zur Virtuosität des Dinglichen, Camera Austria, Kunsthaus Graz, Graz, Austria
2010 Lovingly, Rose Peebles, Brand Library Art Galleries, Glendale, USA
2010 …Nur Papier, Und Doch Die Ganze Welt…: 200 Jahre Graphische Sammlung, Staatsgalerie, Stuttgart, Germany
2010 Encadrées, Centre D’édition Contemporaine, Geneva, Switzerland
2010 Aftermath, Taka Ishii Gallery, Kyoto, Japan
2010 Five Year Anniversary Exhibition, Gavlak Gallery, Palm Beach, USA
2010 Nobody Gets To See the Wizard. Not Nobody. Not Nohow, Anna Kustera, New York, USA
2010 Woodman, Woodman, Spare That Tree, Lüttgenmeijer, Berlin, Germany
2018 Toxic Environments, Sensitivities and Planetary Times: Susanne M. Winterling, in: Mousse Magazine, 2018
2015 Federica, Bueti. “Lobsters, Hormonal Storms, Brittlestars, and Sticky Things – Matter of the World.” Xtra Contemporary Art Quarterly. Summer, 2015.
2015 Yazdani, Sara R. “New Forms of Life – the Physicality and Poetics of Pictures.”Objektiv. June 11, 2015.
2015 Beckstette, Sven. “Review.”Artforum, April, 2015.
2014 Kraus, Chris, “Complicity: Winterling Discusses her Recent Work with Chris Kraus.” Artforum, May 21, 2014.
2010 Birgit Kulmer, “Hinter den Spiegeln,” Kunsttexte 2/2010
2010 Jens Asthoff, “Spiegelung, Fluechtiges Selbst,” Kultur und Gespenster, 2010
2010 Mathias Reichelt, “Susanne M.Winterling,” Kunstforum Intern., Band 202
2010 Jens Asthoff, “Susanne M.Winterling”, Artforum April 2010
2010 Georg Patzer, “Nichts Ist Wie Es Scheint,” Taz 15.2.2010
2009 Josef Strau, “Susanne Winterling,” Camera Austria 105
2009 Kirsty Bell, “Susanne Winterling,” Camera Austria 105
2009 J. Neulinger, “Susanne M.Winterling,” Frieze.Com, February 2009
2009 Stefania Palumbo, “I is Another,” Mousse, Issue 17
2009 Anne Katrin Fessler, “Zerplatzende Seifenblasen,” Der Standard, August 2009
2008 Joseph Del Pesco, “Susanne Winterling,” Flash Art, October 2008
2008 “A Member of the Wedding,” the New Yorker, September 2008
2008 Karen Rosenberg, “A Member of the Wedding,” New York Times, August 2008
2008 RC Baker, “A Member of the Wedding,” Village Voice, August 2008
2008 Daniel Voelzke, “Susanne M. Winterling,” Monopol, April 2008
2007 Kyle Bentley, “Susanne M. Winterling,” Artforum, November 2007
2007 “Susanne Winterling,” Modern Painters, November 2007
2007 Fabrizia Paloba, “Insieme Alle Icone Femminili Anticonformiste Degli Anni Venti,” Exibart, May
2007 Caroline Eggel, Critic’s Pick, Artforum.Com, October 2007
2007 Josef Strau, “Time, Structure and Passer-By’s,” April 19, 2007